Englewood, CO: Libraries Unlimited, 1999.ĭundes, Alan, ed. New Tales for Old : Folktales As Literary Fictions for Young Adults. New York: Houghton Mifflin and Company, 1885.ĭe Vos, Gail and Anna E. Santa Barbara, CA: ABC-CLIO, 2002.Ĭrane, Thomas. New York: Penguin Books, 1982.Ĭlouston, William Alexander. A Dictionary of Symbols, Second Edition. Translated by John Buchanan-Brown. New York: Basic, 1999.Ĭhevalier, Jean and Alain Gheerbrant. Out of the Woods : The Origins of the Literary Fairy Tale in Italy and France. Detroit: Wayne State University, 1997.Ĭashdan, Sheldon. Detroit: Wayne State University, 1999.Ĭanepa, Nancy. From Court to Forest : Giambattista Basile's Lo Cunto De Li Cunti and the Birth of the Literary Fairy Tale. A Dictionary of British Folk-Tales in the English Language. London: Routledge and Kegan Paul, 1970, 1971.Ĭanepa, Nancy. New York: Vintage Books, 1975.īriggs, Katherine M., ed. The Uses of Enchantment: The Meaning and Importance of Fairy Tales. New York: Anchor Books, 1998.īettelheim, Bruno. Mirror, Mirror On The Wall: Women Explore Their Favorite Fairy Tales.
The Grimm Brothers' Children's and Household Tales (Fairy Tales).īernheimer, Kate. A Guide to Folktales in the English Language.New York: Greenwood Press, 1987.Īshliman, D. Fairytale in the Ancient World. London: Routledge, 2000.Ī: Buy it in hardcoveror paperback.Īshliman, D. Tales, Then and Now: More Folktales As Literary Fictions for Young Adults. Englewood, CO: Libraries Unlimited, 2001.Īnderson, Graham. In Little Red Riding Hood Uncloaked, Red appears as seductress, hapless victim, riot grrrrl, femme fatale, and even she-wolf, as Orenstein shows how through centuries of different guises, the story has served as a barometer of social and sexual mores pertaining to women.įull of fascinating history, generous wit, and intelligent analysis, Little Red Riding Hood Uncloaked proves that the story of one young girl's trip through the woods continues to be one of our most compelling modern myths.Altman, Anna E.
In Little Red Riding Hood Uncloaked Catherine Orenstein reveals for the first time the intricate sexual politics, moral ambiguities, and philosophical underpinnings of Red Riding Hood's epic journey to her grandmother's house- and how, from the nursery on, fairy tales influence our view of the world.īeginning with its first publication as a cautionary tale on the perils of seduction, written in reaction to the licentiousness of the court of Louis XIV, Orenstein traces the many lives the tale has lived since then, from its appearance in modern advertisements for cosmetics and automobiles, the inspiration it brought to poets such as Anne Sexton, and its starring role in pornographic films.
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